Cognition in music

Cognition in music

Source :

• Cognition [ 0010-0277 ] ; 1983.

English descriptors

• Teeft :
  • Absolute length, Absolute pitch, Abstract operations, Acoustic, American folk music, Analytic artifacts, Arbor symposium, Artform, Artifact, Artwork, Atonal, Atonal music, Baroque period, Basic processes, Basic structure, Basilar, Basilar membrane, Boethius, Building blocks, Case study, Categorical perception, Central facts, Century music, Chaining, Chant, Chant melodies, Chicago press, Chord, Chromatic pitches, Church modes, Closer inspection, Closure, Cognition, Cognitive, Cognitive activity, Cognitive conception, Cognitive construction, Cognitive principles, Cognitive process, Cognitive processes, Cognitive processing, Coherent unit, Collier, Common features, Common practice, Common practice period, Common practice principles, Component processes, Compositional technique, Conscious awareness, Conscious reflection, Consonance, Consonant intervals, Constituent elements, Counterpoint, Country music, Definable texture, Diatonic system, Different styles, Different types, Discrete, Discrete pitches, Discrete steps, Dissonance, Doctoral dissertation, Documentary report, Early history, Eighteenth century, Englewood cliffs, External environment, Figurative changes, Fine gradations, Focal pitches, Focal tone, Focal tones, Formal analysis, Formal students, Frequency bands, Fundamental processing unit, Fundamental processing units, Fundamental tone, Fundamental units, Generic, Generic processes, Great deal, Gregorian chant, Half steps, Harmonic, Harmonic progression, Harmonic style, Harmonic theories, Harmonic theory, Harvard university press, Horizontal style, Houghton mifflin, Human activity, Human processes, Human subject, Important point, Improvisatory pieces, Individual artworks, Individual traits, Infinite number, Inversion, Inverted chords, Jazz idiom, Jazz text, Letter names, Listener, Logical transformations, Many studies, Many styles, Many theorists, Many treatises, Many types, Medieval musicians, Medieval theorists, Melodic, Melodic fragments, Melodic line, Melodic lines, Middle ages, Modern composers, Modern westerners, More parts, More units, Much folk, Multiple styles, Music educators, Music history, Music identification, Music psychology, Music research, Music theory, Musical ability, Musical activity, Musical analysis, Musical cognition, Musical communities, Musical community, Musical composition, Musical compositions, Musical event, Musical events, Musical material, Musical object, Musical organization, Musical pieces, Musical pitch, Musical style, Musical style principles, Musical styles, Musical styles change, Musical talents, Narrow range, National symposium, Nettl, Nineteenth century, Ninth century, Nonhuman, Nonhuman forces, Nontemporal operations, Notated, Notation, Novice musicians, Octave, Octave equivalence, Octave redundancy, Original context, Original event, Ornamental ones, Other conceptions, Other examples, Other features, Other parameters, Other qualifiers, Other tones, Other views, Other words, Overtone, Overtone series, Parallel fifths, Parallel fourths, Particular community, Particular style, Particular style principle, Particular style principles, Patterns result, Pedagogy, Perceptual reality, Percussion pieces, Perfect ratios, Performance variation, Phoneme, Phrase grouping, Phrase groupings, Pitch, Pitch fluctuation, Pitch perception, Pitch spectrum, Polyphonic textures, Present conception, Present definition, Primary concern, Primary purpose, Primitive music, Progression, Property abstraction, Psychological evidence, Psychological representation, Psychological research, Psychophys, Reference note, Relative repetition, Renaissance counterpoint, Research questions, Retrograde inversion, Rhythmic events, Scalar pitches, Scale degrees, Scale system, Scale tones, Separate pitches, Separate voices, Serafine, Several aspects, Similar argument, Simultaneous dimension, Simultaneous events, Single pitches, Single tones, Sonority, Sound collections, Speech perception, Structural function, Structural levels, Style change, Style changes, Style community, Style principles, Style transmission, Styles change, Stylistic, Stylistic principles, Subjective construction, Substantive transformation, Subtle changes, Successive dimension, Such music, Such principles, Such questions, Such states, Such structures, Such theories, Such transformations, Symphonic works, Temporal, Temporal events, Temporal frame, Temporal processes, Tenth century, Textural organization, Theorist, Timbral, Timbral synthesis, Timbre, Tonal, Tonal center, Tonal music, Tonal sequence, Tonal sequences, Tonal style, Tonal theory, Tonality, Traditional tonality, Traffic noise, Trans, Transposition, Treatise, Triad, Triadic, Triadic chords, Twentieth century, Unassailable facts, Understanding music, Unit chaining, Unit construction, Vast array, Vast majority, Vast number, Vertical chords, Vertical collections, Vertical sonorities, Western music, Western style, Western tradition, Whole compositions, Yale university, Yale university press, Young children.

Abstract

• https://api.istex.fr/document/D05B1928F5AD523AB4D40F17A04D88D48E6AB477/fulltext/pdf

Affiliations:

• États-Unis

Links toward previous steps (curation, corpus...)

• to stream Istex, to step Corpus: 002856
• to stream Istex, to step Curation: 002855
• to stream Istex, to step Checkpoint: 001323
• to stream Main, to step Merge: 001413
• to stream Main, to step Curation: 001387

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